Italian cinema played a crucial role in the development of an early international film culture in the first two decades of the twentieth century. Cinema was promoted vigorously under Fascism, as a weapon of the state, while the postwar filmmaking associated with Neorealism was an explicit means of breaking with the Fascist past. In late 1950s and 60s Italian cinema was a vital resource for.
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The Essay Film: Dialogue, Politics, Utopia (2016) Edited by Caroline Eades and Elizabeth Papazian. With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the subject, its relationship to the world, and the aesthetic possibilities of cinema. In this volume, authors specializing in various national.
Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as.
